Kiki Man Ray : art, love, and rivalry in 1920s Paris / Mark Braude.
"A dazzling portrait of Paris's forgotten artist and cabaret star, whose incandescent life asks us to see the history of modern art in new ways. In freewheeling 1920s Paris, Kiki de Montparnasse captivated as a nightclub performer, sold out gallery showings of her paintings, starred in Surrealist films, and shared drinks and ideas with the likes of Jean Cocteau and Marcel Duchamp. Her best-selling memoir--featuring an introduction by Ernest Hemingway--made front-page news in France and was immediately banned in America. All before she turned thirty. Kiki was once the symbol of bohemian Paris. But if she is remembered today, it is only for posing for several now-celebrated male artists, including Amedeo Modigliani and Alexander Calder, and especially photographer Man Ray. Why has Man Ray's legacy endured while Kiki has become a footnote? Kiki and Man Ray met in 1921 during a chance encounter at a café. What followed was an explosive decade-long connection, both professional and romantic, during which the couple grew and experimented as artists, competed for fame, and created many of the shocking images that cemented Man Ray's reputation as one of the great artists of the modern era. The works they made together, including the Surrealist icons Le Violon d'Ingres and Noire et blanche, now set records at auction. Charting their volatile relationship, award-winning historian Mark Braude illuminates for the first time Kiki's seminal influence not only on Man Ray's art, but on the culture of 1920s Paris and beyond. As provocative and magnetically irresistible as Kiki herself, Kiki Man Ray is the story of an exceptional life that will challenge ideas about artists and muses--and the lines separating the two"-- Provided by publisher.
Record details
- ISBN: 9781324006015
- ISBN: 1324006013
- Physical Description: xii, 290 pages, 8 unnumbered pages of plates : illustrations (some color) ; 24 cm
- Edition: First edition.
- Publisher: New York, NY : W.W. Norton & Company, Inc., [2022]
- Copyright: ©2022
Content descriptions
Bibliography, etc. Note: | Includes bibliographical references and index. |
Formatted Contents Note: | Old songs sung from a marble tabletop -- A café isn't a church -- See the disappearing boy -- t Sessions -- Grand hôtel -- All tomorrow's parties -- Waking dream séance -- An Italian heir, a French novelist, a Japanese painter, and an American collector -- A Dada dust-up -- A sailing and several stories -- She will be the actor too -- The interpretation of dreams -- Into the light -- Come closer -- Going away -- Kiki with African mask -- Leave me alone -- The years of madness -- She became restless -- Don't hesitate! Come to Montparnasse! -- 1929 -- Queen of the underground -- The path of duty -- When I get the blues, I change eras -- A winter and a spring. |
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Genre: | Biographies. History. Biographies. |
Show Only Available Copies
Location | Call Number / Copy Notes | Barcode | Shelving Location | Status | Due Date | |
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Burlington Public Library | BIO MAN RAY Braude 2022 (Text) | 39851001657031 | Non-fiction | Copy hold | Available | - |
LDR | 04805cam a2200637 i 4500 | ||
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245 | 1 | 0. | ‡aKiki Man Ray : ‡bart, love, and rivalry in 1920s Paris / ‡cMark Braude. |
246 | 3 | . | ‡aArt, love, and rivalry in 1920s Paris |
250 | . | ‡aFirst edition. | |
264 | 1. | ‡aNew York, NY : ‡bW.W. Norton & Company, Inc., ‡c[2022] | |
264 | 4. | ‡c©2022 | |
300 | . | ‡axii, 290 pages, 8 unnumbered pages of plates : ‡billustrations (some color) ; ‡c24 cm | |
336 | . | ‡atext ‡btxt ‡2rdacontent | |
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504 | . | ‡aIncludes bibliographical references and index. | |
505 | 0 | 0. | ‡tOld songs sung from a marble tabletop -- ‡tA café isn't a church -- ‡tSee the disappearing boy -- t Sessions -- ‡tGrand hôtel -- ‡tAll tomorrow's parties -- ‡tWaking dream séance -- ‡tAn Italian heir, a French novelist, a Japanese painter, and an American collector -- ‡tA Dada dust-up -- ‡tA sailing and several stories -- ‡tShe will be the actor too -- ‡tThe interpretation of dreams -- ‡tInto the light -- ‡tCome closer -- ‡tGoing away -- ‡tKiki with African mask -- ‡tLeave me alone -- ‡tThe years of madness -- ‡tShe became restless -- ‡tDon't hesitate! Come to Montparnasse! -- ‡t1929 -- ‡tQueen of the underground -- ‡tThe path of duty -- ‡tWhen I get the blues, I change eras -- ‡tA winter and a spring. |
520 | . | ‡a"A dazzling portrait of Paris's forgotten artist and cabaret star, whose incandescent life asks us to see the history of modern art in new ways. In freewheeling 1920s Paris, Kiki de Montparnasse captivated as a nightclub performer, sold out gallery showings of her paintings, starred in Surrealist films, and shared drinks and ideas with the likes of Jean Cocteau and Marcel Duchamp. Her best-selling memoir--featuring an introduction by Ernest Hemingway--made front-page news in France and was immediately banned in America. All before she turned thirty. Kiki was once the symbol of bohemian Paris. But if she is remembered today, it is only for posing for several now-celebrated male artists, including Amedeo Modigliani and Alexander Calder, and especially photographer Man Ray. Why has Man Ray's legacy endured while Kiki has become a footnote? Kiki and Man Ray met in 1921 during a chance encounter at a café. What followed was an explosive decade-long connection, both professional and romantic, during which the couple grew and experimented as artists, competed for fame, and created many of the shocking images that cemented Man Ray's reputation as one of the great artists of the modern era. The works they made together, including the Surrealist icons Le Violon d'Ingres and Noire et blanche, now set records at auction. Charting their volatile relationship, award-winning historian Mark Braude illuminates for the first time Kiki's seminal influence not only on Man Ray's art, but on the culture of 1920s Paris and beyond. As provocative and magnetically irresistible as Kiki herself, Kiki Man Ray is the story of an exceptional life that will challenge ideas about artists and muses--and the lines separating the two"-- ‡cProvided by publisher. | |
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